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皴皱的肌理,老残的裂痕,不经意的点涂,机缘巧合成了这山人云游图。山人本性情中人,素以明朝遗民自居,总以寺庙观院为屋;行走于僧道之间,寄兴于漂泊之途。善绘鱼鸟,皆“白眼向人”而怒;妙借笔墨,写残山剩水以诉。籍象征手法抒写心意,任放达胸襟冷落官府。明亡之痛,犹梗在骨。山人之画,简朴豪放,疏简构图。苍劲率意,雄奇茂朴。花鸟写意,师承陈淳徐渭,以夸张变形自属;山水造型,效法其昌公望,唯荒凉寂寥所独。又精书法,宗源羲之真卿,流畅健秀笔秃。山人者,乃八大山人朱耷也。何以“云游”?为采古来各大家之长,传承创新之所图也。叶丹居章江有《过八大山人》
Wrinkled texture, the old residual crack, inadvertently painted, chances became the mountain people travel map. Mountain nature of people, known as the Ming dynasty descendants of their own homes, temples for the total view of the house; walk in between monks, send Xing wandering the way. Good painted fish and birds, all “white eyes to people ” and anger; wonderful borrow pen ink, write residual remnants of the mountain to appeal. A symbol of tactics to express their minds, letting up the mind relaxed government. The pain of death, still stem in the bone. Mountain paintings, simple bold, thin structure. Cautious, magnificent Mao Park. Flowers and birds freehand, teacher Chen Xu Wei, to exaggerate the deformation itself; landscape modeling, follow its Chang Gong Wang, desolate loneliness alone. And fine calligraphy, Zong Yuan Zong’s true Qing, handsome Jianxiu pen bald. Mountain people, but eight mountain people Zhu 耷 also. Why “wandering”? For the sake of ancient times we all inherit the innovation of the map also. Ye Dan Habitat Zhangjiang “over eight mountain people”