中国书法艺术历来注重表情达意,提倡求变创新,随情造法,不拘泥于前辈书法家已有的法则形式。宋代时期,苏轼和黄山谷两人不仅自己身体力行,不依古法规矩,畅达地书写出大量个性化的书作,还提出一些“颦”“椭”“跛”“病”的线性流变风格,具有自然天趣的审美味道,彰显出书家的修养性格特色。苏轼、黄山谷提出的书艺个性化审美法则,在书法艺术的理论和实践上推动着中国书法艺术迈向多元并举的新时代。 Chinese calligraphy has always paid more attention to expressing emotions, advocating change and innovation, paving the way, not rigidly adhere to the laws of the older calligraphers. During the Song Dynasty, both Su Shi and Huang Shan Gu did not only practice their own actions but did not follow the laws and regulations of the country. They wrote lots of personalized books and made some “ill” "Linear rhetorical style, with the natural taste of the aesthetic taste, highlighting the book’s self-cultivation character. Su Shi, Huang Shan Valley presented a book of art personalized aesthetic rules, in the theory and practice of calligraphic art to promote the Chinese calligraphy art march toward a new era of multiple simultaneously.