《话剧》1988年五期载雷国华的《让表象酝酿出情感浓度》。摘要如下:服装的干净与漂亮,化妆的干净与漂亮,舞台的干净与漂亮,甚至一些演员要求演任何角色都要干净、漂亮,我们染上了可悲的洁癖,这种幼稚的心理是今天舞台表现的最大障碍。当假定性铺天盖地时,会出现从抽象到具象的回归。《红白喜事》、《想入非非》是一次回归。但是,更多的戏剧呈现于游离状态,既没有所谓声称追求的现实主义,也没有进入诗意假定。近年来大量的戏剧都在运用“平 “Drama” in 1988 five contained Lei Guohua’s “let the appearance brewing of emotional concentration.” Abstract are as follows: Clothing is clean and beautiful, clean and beautiful make-up, the stage clean and beautiful, and even some of the actors asked to perform any role should be clean and beautiful, we are infected with sad overliness, this naive psychology is the stage today The biggest obstacle to performance. When the hypothetical overwhelming, there will be a return from abstract to figurative. “Red and white happy event,” “Into Africa” ​​is a return. However, more plays are shown in a state of liberty, neither the so-called purported realism nor the poetic assumptions. In recent years a lot of drama are using "flat