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“美在关系”作为狄德罗文艺美学思想的核心,是对美的本质问题思考的一个重大理论突破。他区分了美学意义和一般意义上的“关系”;从“悟性”界定关系;以“情境”说深化“关系”;美随社会关系和人的思想变化而变化;人在审美判断差异中起主导作用。从自然美、人与自然的审美关系来论美和美感,说明他已经认识到人的主体性介入对美的本质的意义。其局限在于他没能深入挖掘人在审美创造中的能动作用,以致他的逻辑体系不够严密。
As the core of Diderot ’s literary aesthetics, “beauty in relation” is a major theoretical breakthrough in thinking about the essence of beauty. He distinguishes aesthetics from “relationship” in the general sense; defines relations from “perception ”; deepens “relationship ” from “situation ”; beauty changes with changes in social relations and human thought People play a leading role in the aesthetic judgment of differences. From the beauty of nature, the aesthetic relationship between man and nature, he expresses that he has realized the significance of the subjective intervention of man to the essence of beauty. The limitation is that he failed to tap into the active role of man in aesthetic creation, resulting in a lack of rigor in his logical system.