装饰图案到了一定的历史时期,往往不依人们的意志,而出现了“不胫而走”的时代风尚。这种风尚形成了一种拦也拦不住,挡也挡不了的,所谓“潮流”,真是令人惊异不止。我说的是从唐代“花团锦簇”、富贵气十足的装饰风格,一变而出现宋代粗犷的蓝印花布、豪放的磁州窑、耀卅窑,舍弃了所谓“宫样”,或者说是“闺阁气”真像潮涌一样地出现了像颜体、苏体、米体、黄体那样的笔致雄健、具有大家风度的“黑花”。像八大山人一样的明代青花磁器,数量之多,范围之广,几乎是风行到全 Decorative patterns to a certain period of history, often not in accordance with the will of the people, but there has been “spread like wildfire” times. This fashion has formed a block can not stop, can not stop the block, the so-called “trend” is really amazing. I said that from the Tang Dynasty “flowers”, full of rich atmosphere of decorative style, a change in the Song Dynasty rugged blue printed cloth, bold Cizhou kiln Yao Yao kiln, abandoned the so-called “palace-like” or “ Boudoir ”is really like a surge of the same appearance as the body color, Su body, body, corpus lutensis that pen powerful, with the grace of the“ black flower. ” The same as the Bada Shan people Mingzhu blue and white porcelain, as many as a wide range of almost universal