蒙古族是我国北方的一个游牧民族。随着历史的演变发展,蒙古族的民歌形成了一种独具地方特色的艺术形式。然而,令人遗憾的是,由于蒙古族在民间运用的乐器并不多见,因此,其他地方人们能够看到的为蒙古族民歌伴奏的乐器是有限的。作者在钢琴教学实践的基础上,试图更加准确、全面、科学地分析和把握内蒙古民歌配写钢琴伴奏的重要性以及一些具体问题的解决措施与手段。 Mongolian is a nomadic nation in northern China. As the history evolves and develops, Mongolian folk songs form a kind of art form with unique local characteristics. However, it is regrettable that due to the infrequent use of instruments by the Mongolian people, the number of instruments that Mongolian folk songs can be seen in other parts of the world is limited. Based on the practice of piano teaching, the author tries to analyze and grasp the importance of writing accompaniment with folk songs in Inner Mongolia more accurately, comprehensively and scientifically, as well as the solutions and measures to solve some specific problems.