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从演员到观众,这是杂技艺术一个相互联系、缺一不可的一个整体。观众是演员表演的动机、起点,并通过观众欣赏来完成演出。因此说,杂技欲在市场化、产业化中大有作为,就必须赢得广大的观众。否则,杂技演出再好,也只能是孤芳自赏。由此看来,对杂技观演关系的研究,不仅是理论所需,更是实践所求。一、演员与观众之间的交流从剧场或室外广场演出交流方式上看,杂技的交流方式无外乎有两种:一是演员与观众的交流,二是观众与观众的交流。在诸
From the actors to the audience, this is an interrelated and indispensable part of the acrobatic art. The audience is the actor’s motivation, starting point, and through the audience to complete the show. Therefore, acrobatic desires must win a large audience if they are successful in marketization and industrialization. Otherwise, acrobatics no matter how good, it can only be self-respect. Seen in this light, the study of the relationship between acrobatics is not only required by theory, but also sought after by practice. First, the exchange between actors and spectators From the theater or outdoor plaza show the way of communication, acrobatics exchanges nothing less than two kinds: one actor and audience exchanges, the second is the audience and audience exchanges. In all