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从本质上说,恶搞是生成于民间的一种诙谐文化,它主要以解构的方式和狂欢的手法消解官方文化的权威和神圣。作为大众的一种艺术自觉的起步阶段和展现民众狂欢精神的舞台,它的存在具有一定价值。然而,随着恶搞之风愈演愈烈,恶搞之中出现了很多低俗恶劣的作品。笔者认为,成功的恶搞作品所带来的狂欢式的笑理应是具有双重性的,既解构又建立,而那些完全抛弃价值判断,纯粹为“恶”而“搞”的搞恶是没有生命力的。
In essence, spoofing is a kind of humorous culture that is generated in the folk. It mainly resolves the authority and sacredness of the official culture by means of deconstruction and carnival. As a stage of public awareness of art and the stage of showing the spirit of public spree, its existence is of some value. However, as the style of spoofing intensified, there appeared many vulgar and abominable works in the spoof. The author believes that the carnival-style laugh brought by the successful spoof works should be dual in nature, that is, both deconstruction and establishment, and those who completely abandon the value judgments are purely “evil” and “engaging” evil There is no vitality.