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在20世纪初始,我国就开始了钢琴音乐的创作,并历经了漫长的发展过程。在这一过程中,我国的作曲家立足于我国传统的民族曲调,并与西方的作曲技巧相统一,把我国传统音乐的音调融入到钢琴的演奏中,经过不懈的努力,终于成功地创作出了具有民族艺术风格的钢琴改编曲。本文以古典钢琴改编曲《阳关三叠》为例,分析了它的发展历程,对其中蕴含的曲式结构进行了深入的探析,从而综合概括了钢琴改编曲《阳关三叠》在演奏过程中表现的美学思想。
At the beginning of the 20th century, our country started the creation of piano music and went through a long process of development. In this process, the composers in our country are based on the traditional national melody in our country and are united with the western composer skills. The Chinese traditional music tone is integrated into the performance of the piano. Through unremitting efforts, the composer succeeded in creating Piano rendition of national art style. Taking the classical piano repertoire “Yangguan Triad” as an example, this article analyzes the course of its development and deeply analyzes the structure of the music contained in it. In this way, the piano adaptation “Yangguan Triad” Aesthetic ideas manifested in the process.