自《雷雨》诞生之日起,蘩漪就成为了文坛上一个震撼人心的悲剧形象。冰华较之于蘩漪,对于大多数人来说,是极为陌生的,她不是文学史上著名的女性形象,甚至很多文学史都不曾提及。她是石评梅于1922年在《晨报〈副刊〉》上发表的被人们称为“问题剧”的《这是谁的罪》中的女主人公。该剧讲述了两个留美回国,两情相悦,志同道合,并热切地想成就一番事业的恋人王甫仁和陈冰华,因遭家庭的反对,男主人公最终被家庭“软化”而酿成了女主人公陈冰华设计杀人,又与男主人公双双自杀的爱情悲剧。由于过于极端和悲情,在当时曾引起很大的争议,引发了长时间的讨论。我们也不能不承认,《这是谁的罪》相对《雷雨》而言,在技法上显得稚嫩了许多,艺术成就也远不及。因此,在热烈的讨论之后慢慢被人们所遗忘了,《雷雨》却以其震撼人心的魅力长久地驻扎在读者心中。 Since the birth of “Thunderstorm”, Yiyi has become an awe-inspiring tragedy in the literary world. Binghua compared to Yiyi, for most people, is extremely strange, she is not a famous female in the history of literature, and even many literary history are not mentioned. She is the heroine in Shih-mei’s “Who’s Who”, published by The Morning Post in 1922 as a “drama” by people. The play tells the story of two lovers returning to the United States, loving friendship, like-minded, and eager to make a difference, Wang Fu-ren and Chen Binghua, whose family protagonists were eventually “softened” by their families The heroine Chen Binghua designed to kill, but also with the heroic love of both tragedy. Due to extreme extremes and tragedies, there was a lot of controversy that sparked prolonged discussions. We can not but acknowledge that the “who’s sin” is immature compared to “thunderstorms” and has far less artistic achievement. Therefore, after heated discussions slowly forgotten by people, “Thunderstorm” has its long-standing presence in the hearts of readers with the thrilling charm.