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五四时期周作人撰写《日本近三十年小说之发达》等文学史较完整地输入了外国文学史的知识系谱和文学观,但后来在《中国新文学的源流》中反思这些文学观和文学史框架。这一变化过程尽管原因很多,但本文认为他与夏目漱石文学及其文艺理论的交集是其重要原因之一。他由此摆脱了“小说至上论”的文学观,将散文作为一个单独的文类纳入中国现代文学史书写,在“文学”概念现代化转型中留下独特的印迹。
In the May 4th period, Zhou Zuoren wrote a literary history such as “The Developed Novels of Nearly 30 Years in Japan”, which completely imported the pedigree of knowledge and literature of the history of foreign literature. However, he later reflected these literary concepts in “The Origin of Chinese New Literature” and “ The history of literature. Although there are many reasons for this change process, this article considers one of the important reasons for his interaction with Soseki literature and his literary theory. Therefore, he got rid of the literary concept of ”the supremacy of the novel“ and included the prose as a separate genre into the writing of the history of Chinese modern literature, leaving a unique imprint in the modern transformation of the concept of ”literature."