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书法作品中的笔墨与其表现内容是无法分离的。研究者不去分析书家写此诗此文时的复杂的心路历程,而只注重笔墨和章法,这样的分析恰恰失去了艺术创造的灵魂。以天下三大行书为例,王羲之《兰亭序》体现了东晋玄风的浸染下世人崇尚潇洒闲适的生活理想,与西晋纵诞逸乐的生活情趣迥异其趣。颜真卿的《祭侄稿》忠肝义胆,任凭慷慨悲愤之情涌于笔端,自然挥洒,不可端倪。苏轼的文艺是在黄州产生质的飞跃的,《黄州
The calligraphy and writing in the performance of its content is inseparable. The researchers do not analyze the complicated mental history when the writer wrote the poem and the article, but only pay attention to the pen and ink. The analysis just lost the soul of art creation. Taking the world’s three famous scriptures as an example, Wang Xizhi’s “Orchid Pavilion Preface” embodies the ideal of life that the world admire the leisurely and leisurely life under the influence of the Xuan Feng in the Eastern Jin Dynasty. Yan Zhenqing’s “offering of his nephew manuscript” Loyalty to the liver and gallbladder, despite the generous indignation of emotion in the pen end, natural sway, can not be clumsy. Su Shi’s art is a qualitative leap in Huangzhou, "Huangzhou