“形”与“色”作为最基本的艺术语言始终存在于绘画创作过程之中。但随着许多新兴艺术思潮的传播,一些人误认为绘画已经可以抛弃“形”与“色”了。可实际上无论多么新潮的艺术只有做到两者有机结合,才能达到形式的完美,进而创作出优秀的作品。水彩作为一门传统的绘画形式自然也不能脱离对“形”与“色”的表现。本文通过对“形”与“色”的不同作用的讨论来分析水彩中形与色的关系。 “Shape ” and “Color ” as the most basic art language always exists in the process of painting creation. However, with the spread of many emerging artistic trends, some people mistakenly believe that painting can be discarded in “form” and “color.” In fact, no matter how trendy the art is, only through the combination of the two can the perfection of form be achieved and the outstanding works can be created. As a traditional form of painting, watercolor can not be divorced from the expression of “form” and “color”. This article analyzes the relationship between the form and the color in watercolor by discussing the different roles of “form ” and “color ”.