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本文通过对5篇被称之为“当代经典”的美国后现代派反小说的分析,认为片断化是反小说具有支配性的艺术特征,反映了美国后现代化社会的支离破碎的意识形态。
By analyzing the five postmodernist anti-fiction novels known as “Contemporary Classic ”, this article argues that fragmentation is the dominant anti-fiction artistic feature and reflects the fragmented ideology of the post-modernized society in the United States.