足球作为一种人类文化形态,“看台文化”是其中很重要的组成部分。当然,“看台文化”仅是“球迷文化”的一个组成部分,宽泛的“球迷文化”所涉及的空间和形式不限于“看台”,但“看台”毕竟是其中最重要的载体。我在1985年的“5·19事件”后,迅疾写出并发表了一篇纪实性文学作品《5·19长镜头》,事隔十几年,仍有人记得,为什么?也未必是我那文章写得有多么好,我想它的长处,无非是把对足球文化的探讨,从绿茵场内延伸到了看台乃至看台以外,把中国球迷们,特别是年轻一代球迷,他们在整个中国的 Soccer as a form of human culture, “grandstand culture” is one of the most important components. Of course, “grandstand culture” is only an integral part of “fan culture”. The space and form involved in a broad “fan culture” is not limited to “grandstands,” but “grandstands” are, after all, one of the most important carriers. After 1985’s “May 19 Incident”, I quickly wrote and published a documentary documentary “5.19 Long Shot”. After more than a dozen years, I still remember why it was not necessarily my case. The article is written how good, I think its strength, is nothing more than the discussion of football culture, extending from the pitch to the stands and even stand outside, the Chinese fans, especially the younger generation of fans, who in the whole of China