在陀斯妥耶夫斯基丰富的人格中,也许可以分辨出四个不同的方面;创造性艺术家,神经病人,道德家和罪人。那么,一个人怎么会形成如此错综复杂的人格的呢? 创造性艺术家这一点最少引起异议:陀斯妥耶夫斯基的地位距莎士比亚并不太远。《卡拉玛卓夫兄弟》是他最宏伟的一部小说;小说中宗教法庭庭长那一段情节,是世界文学的高峰之一,无论怎样评价都不会太高。在创造性艺术家这个问题面前,可惜精神分析学只能放下武器。陀斯妥耶夫斯基是道德家,这一点最容易受到攻击。倘若我们借口只有亲历过罪恶深渊的人才能抵达道德之巅,试图把陀斯妥耶夫斯基列入道德家的高度,我们就忽视了一个疑问:一个有道德的人是一个内心——感到诱惑就会起反应,而不会屈从它的人。一个交替着 Among Dostoyevsky’s rich personalities, four distinct aspects may be discernible: creative artists, neuropaths, ethics and sinners. So how can a person form such an intricate personality? The least controversy is with the creative artist: Dostoyevsky’s position is not too far from Shakespeare. The “Karamazoo Brothers” is one of his most magnificent novels; the plot of the head of the religious tribunal in the novel is one of the peaks of world literature and can not be overestimated in any way. In the face of the creative artist, unfortunately, psychoanalysis can only lay down its arms. Dostoyevsky is the moralist, which is the most vulnerable. If we can only reach the top of morality on the pretext that only those who have experienced the abyss of evil and try to include Dostoyevsky in the moral home, we ignore the doubt that an ethical person is an innermost person who feels The temptation will react, and will not yield to it. One by one