《长夜》的主叙“架构”具有多重性的话语指涉形式。个体自我的落难写实,另类人生的社会观照,存在离弃的畸化表征,都是因为文本叙事“编码”的复调格式从而得以充分的彰显。引领叙事的少年“主人公”亲历其事体验为文本的“人称”叙事所造成的“聚焦”偏转,毋宁是《长夜》叙事/话语充分“戏剧化”的肌质所在。该文“多层面”、“多声部”的叙事对抗,涵韵了自我怅望的极其丰盈的存在意指。 “Night” main Syria “architecture ” has a multi-discourse reference form. The self-reality of individual self-reality, the social contemplation of alternative life, and the abnormal representation of abandonment are all fully demonstrated because of the polyphonic format of textual narration “encoding”. The “Focusing” Deflection Caused by Juveniles Leading the Narrative, “The Protagonist” Experiences the Experience as the Textual “Narrative” of Narration is rather the Muscle of “Full Night” Narrative / Discourse “Theatricalization” Where you are. The narrative confrontation of the article “multi-faceted”, “polyphony” means the extremely abundance of meaning of self-despair.