农民爱不爱看话剧?其说不一。一九八二年我院创作演出了七场话剧《三十六任队长》,这个戏多数是在乡间的野台子演出,每场观众都有几千人,连续上演七十三场。通过为农民演出,我们开阔了视野,打消了疑虑,也使农民认识了话剧,他们说:“欢迎话剧再到乡下来!”《三十六任队长》没有什么离奇的情节,它以风俗画的格调,反映三中全会前后一个生产队的变化。剧本是写一个宗族间勾心斗角的落后队,“耕地找不到牛,干部选不出头”。他们有个老规矩,队长由各户出人“轮流坐庄”,三十五位“能”人轮流上过台,队还是照样穷。回乡知青李玉龙轮上了三十六茬队长,他一反常规,一扫旧俗,在搭班“组阁”中, Farmers love not to watch drama? In 1982, he created and performed seven dramas, “Thirty-six Captains,” in our college. Most of the operas are performed in the countryside. Each audience has thousands of people performing 73 consecutive games. By performing for the peasants, we broaden our horizons, dispel our doubts and make the peasants know the drama. They said: “Welcome to the theater and then to the countryside!” There is no bizarre plot in the “Thirty-six Captains” Style, reflecting the changes before and after the Third Plenary Session of a production team. The script is to write a backward line between the clan infighting, “Cultivated land can not find cattle, cadres can not be elected head.” They have an old rule that captains are turned “from one household to another and take turns taking turns.” Thirty-five “capable” people took turns on stage in Taiwan, and the team still remained poor. Returning home educated youth Li Yulun turns 36 captain, he is unconventional, swept away the old customs, take the class “cabinet”