我有一种感觉,写不出作为“文化人”的张子扬,就写不出作为“电视人”的张子扬,也就不能宏观地审度他的艺术创作和成就,不能领会他在一系列电视作品中的苦心追求。从1979年走进中央戏剧学院导演系,不,也许更早,从在部队当图书管理员、看守机关图书室那二万五千册藏书并贪婪地把自己读成近视眼之时起,张子扬实际上就已经踏上了那条充满艰辛亦充满魅力的“文化苦旅”。他被文化所累,亦被文化充实着。电视,只是这段 I have a feeling that Zhang Ziyang, who is not a “cultural man,” can not write down Zhang Ziyang as a “television man.” He can not critically examine his artistic creation and achievements, and can not comprehend him in a series of television works In the painstaking pursuit. From 1979, he went into the directorial department of the Central Academy of Drama. No, maybe earlier, from the moment when the troops were librarians and 25,000 books in the caretaker’s library and greedily read as myopia, In fact it has embarked on a piece of “hardcore” full of hardships and charm. He has been tired of culture and has also been enriched with culture. TV, just this paragraph