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今年是黄桂秋先生逝世20周年。提起黄先生,现在的年轻人也许知之不多。他于1926年拜陈德霖为师,经“老夫子”多年耳提面命,严格培育,扎下了极为深厚的功底。后又多年傍余叔岩、马连良、言菊朋、高庆奎等名家演出,舞台实践日益丰富,艺事日臻成熟。他早年的演出基本宗陈的路子,后来随着历史时代的发展以及人们艺术欣赏和审美情趣的变迁,他吸取了四大名旦以及其他流派的一些长处,结合自身的特点,特别是他优越的嗓音条件,经过苦心的琢磨,逐渐发展并形成了优美动听、极受欢迎的黄派,成为一代名旦。早年,我还在“富连成”坐科时,便已看他的戏,特别是他傍马连良先生演出时间较长,给我的印象很深,因为那时能与马先生配
This year marks the 20th anniversary of the death of Mr. Huang Guiqiu. Mr. Huang, now young people may know little. He in 1926 thanks to Chen Delin as a teacher, the “old lady ” for many years raised his hand, rigorous training, took a very deep foundation. After many years of Yu Shu-rock, Ma Lianliang, Yan Jupeng, Gao Qingkui and other famous performances, the stage is increasingly rich in practice, art is becoming more mature. His early performance was based on Chen’s approach. Later, with the development of the historical era and changes in people’s appreciation of art and aesthetic taste, he learned some of the strengths of the four big names and other schools, combined with his own characteristics, especially his superiority Voice conditions, after painstakingly pondering, and gradually developed and formed a beautiful, very popular Huangpai, become a famous name. In the early years, when I was still in “Fu Liancheng”, I was already watching his play. Especially, he had a long performance with Mr. Ma Lianliang and gave me a very deep impression because at that time, he could match Mr. Ma