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由当代多领域、多媒介艺术家参与创作的联展——《与库布里克同做白日梦》——于2016年在伦敦举行,其中展示了一系列受库布里克电影作品启发和影响的艺术创作。而库布里克电影配乐、视听美学在晚近音乐思潮与实践中的介入踪迹,也成为该展览中音乐作品、音轨设计中得到突出呈现的关键方面。受此启发,本文尝试参照德勒兹的解域音乐观及其后人类哲学等理论话语,以理解当代实验影像与音乐对“库布里克式表达”的感知、借鉴和续写。
A joint exhibition of contemporary multi-domain, multi-media artists - daydreaming with Kubrick - was held in London in 2016 and shows a series of inspiring and influential films inspired by Kubrick Artistic creation. The Kubrick film soundtrack, audio-visual aesthetics in the recent musical trends and practice of traces of involvement, has become the exhibition of music, soundtrack design has been highlighted in the key aspects. Inspired by this, this article attempts to make reference to Deleuze’s theory of domain music and its subsequent human philosophy and other theoretical discourses to understand contemporary experimental images and music’s perception, reference and renewal of “Kubrick Expressions.”