论文部分内容阅读
完善与残缺是对立矛盾的。但在审美活动中两者又是相互依存不可分割的统一体。完善是一种美,残缺又何尝不是美呢! 在树根造型艺术中,由于自然根料生长环境的不规则性及根料形态的不确定性,决定了根艺作品的多维残缺的普遍性。因此,根艺的创作,就是在这无序中求有序;在杂乱中求统一;在残缺中求完善。
Perfection and incompleteness are contradictory and contradictory. However, in aesthetic activities, the two are also an indivisible unity of interdependence. Perfection is a kind of beauty, incompleteness is not beautiful too! In the root style art, due to the irregular nature of the growth environment of the rootstock and the uncertainty of the shape of the rootstock, it determines the universality of the multidimensional incompleteness of the root art work . Therefore, Genyi’s creation is to seek order in this disorder; to seek unity in disorder; to seek perfection in incompleteness.