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今年6、7月间,刘克训先生来京与其老友、老同学重聚、办展。这是一个国画展,地点设在宋庄,后者让我感到有点意外。在人们的印象中,宋庄里的展览就跟798等地一样,都和所谓的“当代艺术”有关。看来,中国各地的艺术园区也在扩大自身的容量,反映出中国文化生态所发生的变化。期间,我专程到刘先生下榻处拜望他。多年不见,他仍然精神饱满,活力充沛,而且特别健谈。所谈主要围绕着国画,以及有关的问题,但是涉及面很广,内容丰富。其中刘先生谈到了许多重要的问题,他的一些认识结论对于国画创作,乃至对于更广阔的社会领域的建设,都富有启发性。我们的谈话是在刘先生作画的过程中展开的。现择其要者,摘录于此,与读者诸君共享。子仁记。
In June and July this year, Mr. Liu Kexun came to Beijing to reunite with his old friends and old students and run the exhibition. This is a national art exhibition, located in Songzhuang, the latter makes me feel a little surprised. In the minds of people, Songzhuang’s exhibitions are about the same as 798 and other places, all related to the so-called “contemporary art.” It seems that art parks across China are also expanding their capacity to reflect the changes that have taken place in China’s cultural ecology. During the trip, I made a special trip to visit Mr. Liu at his place. Not seen for years, he is still full of energy, energetic, and especially talkative. The talk mainly revolves around traditional Chinese painting and related issues, but it covers a wide range and rich content. Among them, Mr. Liu talked about many important issues. Some of his findings are instructive in the creation of traditional Chinese paintings and even in the broader field of social construction. Our conversation was started during Mr. Liu’s painting. Now choose their best, excerpts here, and you readers share. Zi Ren mind.