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在后现代文化语境中,中国社会大众的审美心理正在发生“异变”:媚俗化、娱乐化、感官化、消费化与奇观化成为其主要特征。我们这个时代到底是一个什么样的时代?这是我们首先要思考的一个问题。毫无疑问,如果不能准确地理解我们这个时代,就无法准确地把握美学与艺术的生存状况,就不能准确地理解审美活动所面临的机遇与挑战。当代中国社会具有多元混杂的特征,这种特征突出地表现为传统、现代和后现代三种社会文化精神和社会形态的共在共存。正是在这样一种特殊的“中国语境”中,
In the context of postmodern culture, the aesthetic psychology of the Chinese public is undergoing “mutation”: becoming popular, entertaining, sensual, consumerism and spectacle becoming its main features. What era is our era? This is one of the questions we must first think. There is no doubt that if we can not accurately understand our times, we can not accurately grasp the living conditions of aesthetics and art and can not accurately understand the opportunities and challenges that aesthetic activities face. Contemporary Chinese society is characterized by multiple and mixed features that highlight the coexistence of the three social and cultural spheres and social forms of tradition, modernity and post-modernity. It is in such a special “Chinese context”