从传统文化的角度审视中国现当代文学的创作并不是一个锐意的话题,我们甚至可以说,对于这一问题的关注始终就是中国现当代文学的历史使命和社会责任之一。向上进行追溯,我们就会发现在早在“五四”新文化运动时鲁迅等人就开始了尝试,他们将传统文化中的经典范例进行适度消解,使得它们呈现出全新的面貌。“鲁迅以一种不同于《呐喊》《彷徨》《野草》的轻松、洒脱乃至游戏的超然心态自由地创造性地改写《列子》《淮南子》《山海经》中的神话及 Looking at the creation of Chinese modern and contemporary literature from the perspective of traditional culture is not a keen topic. We can even say that attention to this issue has always been one of the historic missions and social responsibilities of modern and contemporary Chinese literature. We will find that Lu Xun et al began their attempts as early as the May Fourth New Culture Movement. They moderately removed the classic paradigms of traditional culture and rendered them entirely new. ”Lu Xun ’s mythology in“ Shan Hai Jing ”in“ Liezi ”,“ Huainanzi ”and“ Shan Hai Jing ”is creatively and freely rekindled in a relaxed, free - flowing and even game detached mentality different from“ shout ”