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《狮吼记》(以下简称《狮》是明代传奇中著名的喜剧,为万历后期“双美派”作家汪廷讷所撰。崇祯年间,毛晋编刻《六十种曲》时,即已将它收录其中,至今上演不辍,昆曲保留剧目的《梳妆》、《跪池》,也是取自该剧的第九、第十一两出。可以说,《狮》剧的流行和影响是不容小觑的,因而也就有必要挖掘其成功的奥秘,以丰富现代喜剧创作的技巧。在选材上,《狮》剧给今人提供的经验之一便是无奇不传,所谓事不奇不足以乐人。为此,剧作者尽可旁搜杂采,表逸猎
“Lion Roar” (hereinafter referred to as “Lion” is a famous comedy in the Ming Dynasty legend, written by Wang Tingneng, a writer of “Double America School” in the late Wanli period.) In Chongzhen years, when Mao Jin edited “60 kinds of songs” Has included it, has been staged, Kunqu Opera retained the rehearsal of “dressing”, “kneeling pool” is also taken from the drama ninth, eleventh two .Should say that the “Lion” drama prevalence and influence Is not to be underestimated, and therefore it is necessary to tap the mysteries of its success in order to enrich the skills of modern comic creation in the selection, the “lion” drama to the present one of the experiences is nonsense, the so-called thing Not surprisingly enough for musicians