现代文学史上,李健吾的感悟式批评观独树一帜,在20世纪40年代中国文坛产生很大影响。他曾提出关于批评写作的美学命题:批评也可以是美的。可以看出,这个命题的核心并不指向批评对象,而是关乎批评写作本身。李健吾不仅倡导“美”的批评,而且身体力行,着力于批评写作审美品格的塑造。像李健吾这样对自己的批评写作行为本身有如此清醒的自觉意识的批评家,在现代中国批评史上相当 In the history of modern literature, Li Jianwu’s sense of critical thinking is unique and has had a great influence on the Chinese literature in the 1940s. He has put forward the aesthetic proposition on criticizing writing: Criticism can also be beautiful. As can be seen, the core of this proposition does not point to criticism, but rather to criticism of the writing itself. Li Jianwu not only advocated “beauty ” criticism, but also personally, focused on criticizing the creation of the aesthetic style of writing. Critics like Li Jianwu, who so consciously and consciously consciously criticized their writing and writing behaviors, were quite historically critical in modern China