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宗白华和朱光潜是中国近代美学史上的两位大家,两人对诗都研究颇多,本文借此从诗的“美”、诗与画、意境说等角度出发,来比较他们美学观的差异。宗白华立足中国哲学,朱光潜立足西方美学理论,两人从不同角度共同建构中国美学体系。两人的美学思想都在不同程度的反映了西方美学从“主客二分”的思维模式走向“天人合一”的思维模式的趋势,宗白华基于中国深厚的文化内涵,以意境说为核心,建构艺术美学的体系;朱光潜融汇西方美学思想,为美感为出发点,建构实践美学体系。
Zong Baihua and Zhu Guangqian are two people in the history of modern Chinese aesthetics. Both of them studied quite a lot about poetry. This article tries to compare their aesthetics from the perspectives of “beauty”, poetry and painting, and artistic conception Differences in outlook. Zong Baihua based on Chinese philosophy, Zhu Guangqian based on Western aesthetics theory, two from different angles to jointly construct the Chinese aesthetic system. To some extent, the aesthetic thoughts of the two people reflect the tendency of Western aesthetics moving from the mode of “subject and object dichotomy” to the mode of “harmony between man and nature”. Based on the profound cultural connotation of China, Zong Baihua Artistic conception as the core, building a system of artistic aesthetics; Zhu Guangqian integrates western aesthetics thought, aesthetics as the starting point, constructing practice aesthetics system.