过了亚得里亚海,飞机下面便是美丽的意大利国土了。飞机下降,我心中也涌起一阵阵兴奋和激动。意大利,这欧洲文艺复兴的发源地,就象一个巨大的艺术博物馆。然而,我最急切想看到的,不是梵蒂冈、鸟菲奇画廊里的名画,也不是罗马广场上和教堂里的雕塑和喷泉,而是陈列在全国十三所歌剧舞台上的意大利歌剧。意大利是歌剧的发源地。而我国的新歌剧是从西方引进的艺术形式。在国内歌剧有些不景气的今天,我曾听说西方歌剧已经是一种博物馆的陈列品了。它已失去了艺术生命力,失去了广大的观众,仅仅成为现代西方文化和上层阶级的一种华丽的装饰。似乎真正代表歌剧发展方向的,应该是音乐喜剧了。是这样 After the Adriatic Sea, the beautiful Italian land below the plane. Plane down, my heart is filled with excitement and excitement. Italy, the birthplace of the European Renaissance, is like a huge art museum. What I urgently want to see, however, is not the Vatican, the famous paintings in the Bird Fitch gallery, nor the sculptures and fountains in the Roman Forum and the church, but the Italian operas on the thirteen opera stages in the country. Italy is the birthplace of opera. Our country’s new opera is an art form introduced from the west. In some downturn of the domestic opera today, I have heard that Western opera is already a museum display. It has lost its artistic vitality and has lost its vast audience, merely becoming a gorgeous decoration of modern Western culture and the upper classes. It seems that the real representative of the direction of opera development, it should be a musical comedy. That’s it