后现代主义思潮的出现对雕塑的概念发生了巨大的挑战与变异。雕塑在什么样的时空中存在呢?对于仍坚持雕与塑的视觉原创性这一创作模式的当代艺术家们,如何在后现代的语境中找到雕塑语言的合理性与可能性,似乎逐渐呈现出纠结的状态。而这种纠结所呈现的状态,现在越来越被批评界所关注,并涌现出一批优秀的艺术家。舟越桂就是其中代表之一。舟越桂出生于战后的日本,早年毕业于日本最高艺术学府——东京艺术大学。从研究生时代开始,舟越桂就始终坚持具像表现的创作,后作为日本 The emergence of the postmodernist ideology has brought great challenges and variations to the concept of sculpture. In what kind of space and time does a sculpture exist? How to find out the rationality and possibility of the sculpture language in the postmodern context seems to gradually present the contemporary artists who still insist on the visual originality of sculpture and sculpture? A tangled state. The state presented by this kind of tangle is now getting more and more attention by critics and a number of outstanding artists have emerged. Gui Zhou Yue is one of the representatives. Born in Japan after World War II, Zhou Yuegui graduated from Tokyo Art University, Japan’s tallest art school. From the post-graduate era, Zhou Yuegui always adhere to the creation of a concrete performance, after as Japan