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每个剧种既要有独特的风格,要兼容并包(或叫丰富多彩)。任何东西都有它的个性。譬如京剧,就有梅派、程派、谭派、麒等流派区别,独特风格是主要的,学人家的是为了丰富自己,没有有独特风格的艺术就会消亡。(周恩来谈戏)我国古典戏曲的表达演出方法是经过多少前辈长期的劳动创造和积累而得,是丰富、细致的。作为一个戏血文学演员,基本功练习是重要的,无论是腰腿、眼神、手势、步法、喝念,圆场演出。无论文戏、武戏各种表达演技巧都得喜练,也无论任何剧种的演员专都要练好基础功。不经过长期刻苦的形体训练,不可能创造出动人的艺术形象来,要养成“拳不离手,典不离口”
Each drama must have a unique style, compatible with the package (or called rich and colorful). Everything has its own personality. For example, Peking Opera, there Mei Mei, Cheng school, Tan school, Yee and other schools of different genres, unique style is the main, people learn to enrich themselves, there is no unique style of art will die out. (Zhou Enlai talk) The performance of classical Chinese opera performance method is how many seniors long-term labor to create and accumulate, is rich and meticulous. As a drama drama actor, basic exercises are important, whether it is waist and leg, eyes, gestures, footwork, drink read, round performance. Regardless of the drama, martial arts all kinds of expression skills have Hi practice, and no matter what type of actor all have to practice the basic skills. Without long and hard physical training, it is impossible to create a touching artistic image and to develop "