在古代中西“天人合一”、“神人合一”两种审美理想中,人作为主体,都明显地只是作为客体———天或神的派生和对象,主体人的潜能的自由实现,只能表现为对作为客体的天、神的顺从与趋同。可以说,中西古代的美只是大自然、天、神之美。这完全符合“依生之美”的本质规定,体现了“依生之美”的审美范式。 In the two ancient aesthetic ideals of “integration of man and nature” and “unity of man and nature”, both man and man as subjects are apparently just the free realization of the potential as the object, the derivation and object of God or God, and the subject , Can only be manifested as the obedience and convergence of God as the object. It can be said that the beauty of ancient and western China is only the beauty of nature, heaven and God. This fully accords with the essential requirement of “according to the beauty of life” and embodies the aesthetic paradigm of “according to the beauty of life.”