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赵长秋先生学书自汉隶入手,兼及“二王”、唐楷、魏楷、董其昌。具体而言,在《张猛龙碑》《圣教序》《多景楼诗帖》《书谱》《行书诗帖》等碑帖上,都下过功夫,故其书法具有博采众长、融会贯通的风貌。其字势雄逸,羁而不纵,笔迹流利,宛转妍媚,裁成之妙,烟霏露结,灵变无常,务于飞动,断而还连,凤翥龙蟠,独步其间,自评若斯,此“二王”面貌者也。然山阴道上行,山川自相映发,使人应接不暇。逸少秉真行之要,子敬执行草之权,父之灵和,子之神俊,皆古今之独绝也。世人虽不能甄
Mr. Zhao Changqiu learn from the book started by Han, and “two kings ”, Tang Kai, Wei Kai, Dong Qichang. To be more specific, all of the calligraphic works on the inscription “Zhang Meng Long Monument”, “Order of the Holy Church”, “Multi-King Pilgrimage”, “Musical Notes” and “Xingshu Poems” all have their own unique style of calligraphy. The word Xiong Yi, customary without longitudinal, handwriting fluent, Wan Yan Yan Mei, cut into the wonderful, the smoke Fei Lu Jie, capricious, in the flying, broken and even connected, phoenix Lung Poon, alone, Self-assessment Joss, this “two kings ” face also. However, the vagina uphill mountain, mountains and rivers spontaneously, making people overwhelmed. Yat less true and perfect, Zijin implementation of grass rights, the Father of the Spirit and, the son of God Jun, are ancient and modern are also unique. Although the world can not Zhen