论文部分内容阅读
19世纪三四十年代,一群巴黎艺术家厌恶了当时的巴黎,来到乡村巴比松,享受和表现蓝天白云下宁静的乡野。他们描绘出的户外景色吸引了后来的印象派,但后者并没有厌恶巴黎,更没有逃避巴黎,而是用绚烂的色彩描绘在大革命的腥风血雨之后诞生的共和国之都。之后的后印象派,再度对巴黎失望,最失望的是高更,跑到了遥远的塔希提岛,并以《我们从哪里来?我们是什么?我们到哪里去?》结束了自己的艺术生涯。但和巴比松一样,塔希提也已经为历史的记忆。
In the 1930s and 1940s, a group of Parisian artists disgusted Paris at that time and came to rural Barbizon to enjoy and express the peaceful countryside under the blue sky and white clouds. The portraits that they portrayed in the outdoors attracted later Impressionists, but the latter did not dislike Paris, nor escaped Paris, but used gorgeous colors to depict the capital of the Republic, which was born after the reign of the Great Revolution. After the post-Impressionist disappointment again in Paris, Gauguin, the most disappointed, went to the remote Tahiti, and to “where are we from? What are we? Where are we going?” End of his artistic career . But like Barbizon, Tahiti has also remembered history.