目前,我国大部分地区的琵琶演奏者基本是采用以下两种持琴方法:一种是左腿搭在右腿上,将琵琶竖立在两腿的凹裆中。其优点是立琴重心稳,不易滑脱,可减轻左手和臂部的负担;缺点是琵琶和左腿的重量长时间搭在右腿上会影响血液正常循环,长此下去甚至可能造成坐骨神经痛和腰脊劳损。另一种是两腿平放,将琴竖立在两腿之间。这种方法虽然基本上排除了上述缺点,但琴在两腿间难以立稳,演奏者(特别是矮个子)常常因此而下意识地抬起左脚跟,肌 At present, most pipa players in most parts of our country adopt the following two methods of holding the piano: one is to put the left leg on the right leg and to put the pipa on the crotch of both legs. The advantage is that the weight of the piano is steady and not easy to slip, which can reduce the burden on the left hand and the arm. The disadvantage is that the weight of the pipa and the left leg can affect the normal circulation of blood for a long time, and may even cause sciatica and Ligament strain. The other is flat legs, the piano erected between the legs. Although this method basically ruled out the above shortcomings, but the piano is difficult to stand between the legs, the performer (especially short) often subconsciously lift the left heel, muscle