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引言明代人高濂著《遵生八笺》卷十五《燕闲清赏笺中》之首篇《论画》说:今之论画,必曰士气。所谓士气者,乃士林中能作隶家画品,全用神气生动为法,不求物趣,以得天趣为高。观其曰写而不曰描者,欲脱画工院气故尔。①清代画家王学浩(1754-1832)在《山南论画》里说:
INTRODUCTION Ming dynasty, Gao Zuoxing “Zun Sheng eight 笺” volume fifteen “Yan Qing Qing 笺 in the” first “theory” said: This theory of painting, will be called morale. The so-called morale, is Shilin can be used as home paintings, full of vivid air, not for the sake of things, in order to have a high heaven and earth. The view is not written on behalf of the description of those who write, want to take off painter Institute of gas. ① Qing Dynasty artist Wang Xuehao (1754-1832) in the “Shannan Painting” said: