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对由宋元南戏发展而来的明传奇,一般都给以肯定的评价,如称以《浣纱记》的编写为标志,“从此我国戏曲创作进入一个崭新的繁荣时代”。(《中国戏曲通史》中册四十页)“从十六世纪末到十七世纪末,整整一百年,是中国戏剧丰收的世纪。在这一百年中,传奇艺术获得了极其充分的发展,其中最杰出的代表作有四部:《牡丹亭》、《清忠谱》、《长生殿》、《桃花扇》。这些作品在整个中国戏剧文化史上也是第一流的瑰宝,至今还在闪耀着光芒。”(《中国戏剧文化史述》三七一页)
On the Ming and Qing Dynasties from the development of the Song and Yuan Dynasties Ming legend, generally give a positive evaluation, such as saying “writing Huan Sha Ji” as a sign, “Since then, China’s opera creation into a new era of prosperity.” (“The History of Chinese Traditional Opera,” forty pages) “From the end of the sixteenth century to the end of the seventeenth century, a full hundred years is a century of Chinese drama bumper harvests, in which the legendary art gained an extremely full development, One of the most outstanding representative works is Peony Pavilion, Qingzhongpian, The Palace of Eternal Youth and Peach Blossom Fan, which are also the best gems throughout the history of Chinese theater culture and are still shining brightly. (”Chinese drama cultural history" on March 17)