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遗产电影研究从最初的完全意识形态化、英国化,发展为多元视角、多种方法并存,跨地域、跨文化的批评维度,并推动“遗产电影”从特定政治时代的批评术语,发展为一种可借鉴的类型理念。开展中国遗产电影批评,推动中国遗产电影类型的语境生成,有助于提升国产片的民族性与文化性,形成历史文化传播的电影渠道。国内外一系列触及我国历史文化表现的先行作品,奠定了“中国遗产电影”发展的实践基础,也提示出中国遗产电影批评的广阔空间。
From the initial complete ideology, Britishization and development, the study of heritage film has developed into a multi-dimensional perspective, with multiple approaches coexisting and cross-regional and cross-cultural criticism, and promoted the development of “legacy movies” from the critical terms in a particular political era As a type of concept can learn from. Carrying out the criticism of Chinese heritage films and promoting the contextual generation of the Chinese heritage films helps to enhance the nationality and culture of domestically produced films and form a film channel for the dissemination of historical and cultural contents. A series of pioneering works at home and abroad that have touched the history and culture of our country have laid the practical foundation for the development of the “Chinese Heritage Movies” and also indicated the vast space for the criticisms of Chinese heritage films.