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“旧实践美学”以笼统的“实践”作为审美历史发生的起点,“新实践美学”在实践与审美发生之间加入了具体环节,“后实践美学”把审美发生的起点转向了动物与人共有的“生命”。以实践和生命为起点的审美历史发生理论存在着对人类史实认证不完整、缺乏理论根据、研究不够具体细致等弱点。认知美学认为,在审美历史发生问题上,生命是前提,实践是基础,而真正的起点是人的“审美智能”。正是有生命的人在漫长的实践活动过程中,逐渐形成了一定的知觉模式,并能够区分事物实用属性与独立形式,进而引起非实用功利情感而具有完全抽象能力,即获得“审美智能”,审美活动才在人类历史上产生了。
“Old Practical Aesthetics” takes general “practice” as the starting point of aesthetic history. “New Practical Aesthetics” has added specific links between practice and aesthetic occurrence. “Post Practical Aesthetics” turns the starting point of aesthetic development to animal and human Shared “life.” The theory of aesthetic history taking practice and life as the starting point has some weaknesses such as incomplete certification of human historical facts, lack of theoretical basis and insufficiently detailed research. Cognitive aesthetics holds that life is the premise and practice is the foundation on the question of aesthetic history, and the real starting point is man’s “aesthetic intelligence.” It is the living person who, during the long process of practice, has gradually formed a certain pattern of perception and can distinguish the practical attributes and independent forms of things from causing the utilitarian sentiment to have abstract abilities, that is, obtaining “aesthetic intelligence” , Aesthetic activities have been produced in human history.