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人们把戏剧中正面人物无作为,反面人物不堪一击的情况喩之为“武松打狗”。这比喻是诙谐的批评,同时也反映了人们要看武松打真虎的愿望。武松的对手只是一条狗,冲突难得尖锐,武松的形象也难能高大,实在没看头。施耐庵花费十分功力写了好汉武松,同时也花费了十分功力描绘了猛虎震撼山林的虎威虎势,这才构成了一场扣人心弦的人和虎的鏖战。可见写虎画虎都不能简单从事,否剐“画虎不成反类犬”,依然是“武松打狗”。
People in the drama of positive people without action, the negative figures vulnerable situation as “Wu Song Da Dog.” This metaphor is witty criticism, but also reflects people’s desire to see Wu-tsun real story. Wu Song’s rival is just a dog, a rare sharp conflict, Wu Song’s image can hardly be tall, really careless. Shi Naian spent very skillfully wrote the hero Wu Song, but also spent a very skillful depiction of tiger Tigers tiger tiger shocked the mountains, which constitutes an exciting battle between the tiger and the tiger. Visible to write tiger tiger painting can not be simple to engage in, whether 剐 “painted tiger is not the opposite category dog” is still “Wu Song Dao”.