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在中国美学史上,围绕“气”和“韵”分别形成了一系列审美范畴,如与“气”关联的有:气象、气味、气格、气骨、元气、壮气、神气、风气、生气、文气、浩然之气、浑厚之气、俊爽之气、刚柔之气,等等;与“韵”关联的有:神韵、风韵、情韵、雅韵、玄韵、余韵、韵味、韵致、韵度,等等。衡量范畴本身的影响力以及考察范畴发展史背后隐含的理论逻辑,国内众多学者视“气韵”为中国美学之基本审美范畴之一。对于“气韵”的解释,有“直解”“曲解”“转解”“训解”四种方法,其中又有侧重于解释“韵”
In the history of Chinese aesthetics, a series of aesthetic categories have been formed around “qi” and “rhyme”, respectively, such as weather, smell, temperament, spirit, strength and strength , The spirit, the atmosphere, the angry, the writing style, the magnificent spirit, the vigorous temperament, the handsome temperament, the rigid and soft gas, and so on; and “rhyme” is related to: charm, charm, , Yu Yun, charm, charm, rhyme, and so on. Measuring the influence of the category itself and the theoretical logic behind the study of the development history of the category, many Chinese scholars regard “Qi Yun” as one of the basic aesthetic categories of Chinese aesthetics. There are four ways to interpret “qi yun yang”: “straight solution”, “twisted solution”, “transferred solution”, “training solution”