在王国维戏曲美学思想中,戏曲“自然”说和“意境”说虽是其最为核心的两个部分,但大多数学者比较注重对戏曲“意境”说的探讨,而有关戏曲“自然”说的研究成果则相对缺乏。究其原因,一方面,戏曲“自然”说自身内涵比较复杂,加之又与古代传统美学中的“自然”说有着千丝万缕的联系,梳理起来颇有难度,因而学者们也就要么避重就轻,要么避而不谈;另一方面,绝大部分学者直接把戏曲“自然”说理解成 In Wang Guowei’s opera aesthetic theory, although the opera “natural ” and “artistic conception ” say that they are the two most central parts, most scholars pay more attention to discussing the theory of “artistic conception” The research results about drama “nature ” are relatively lacking. The reason is that on the one hand, opera “nature ” said that its own connotation is rather complicated, and in addition, it is inextricably linked with “nature ” in ancient traditional aesthetics, It will either avoid the light or avoid it; on the other hand, the vast majority of scholars directly to drama “natural” to understand that