论文部分内容阅读
冯凯文偏爱风光摄影,更爱他拍摄的对象。“河流干涸,森林退化,环境污染,我们居住的家园已不再是50年前的模样。岁月流逝的不仅是青山绿水,更是我们的家园。”30多年的摄影生涯,冯凯文的镜头在变,变得越来越快、越来越焦急——自然在变,社会在变,风光在变,他急于捕捉人类生存的家园。冯凯文对森林、山河有着深厚的情感。这种情感与他的经历有关,并直接体现
Feng Kaiwen preferred landscape photography, but also love him the object of the film. “The river is dry, the forest degenerates, the environmental pollution, the home that we live in is no longer the appearance like 50 years ago. The passage of time is not only mountains and waters, it is our homeland. ” 30 years of photography career, Feng Kaiwen The lens is changing, getting faster and faster, more and more anxious - nature is changing, society is changing, the scenery is changing, he is eager to capture the homeland of human existence. Feng Kaiwen on the forests, rivers and lakes have a deep emotion. This emotion is related to his experience and directly reflected