一“玛格南”确实是一个响亮的名字,它的报道立场和美学价值一直在影响着近三十年来的中国摄影界,其示范性显而易见。但坦率说我对它的认识却十分有限,撇开其间的某几位摄影家,总体讲不过停留在一些标签式的概念和对其传奇历史的人云亦云上。在一本关于卡蒂埃-布列松的传记中,既提到“玛格南”催生了“五个W”理论,也有提到“玛格南”的某些不甚光彩的段落, A “Magnum ” is indeed a loud name, its reporting position and aesthetic value has been affecting the Chinese photography industry for nearly three decades, its demonstration is obvious. But frankly, my understanding of it is very limited, leaving aside some of the photographers who, in general, are stuck in the concept of some of the labels and the legendary history of its people. In a biography of Cartier-Bresson, it is mentioned that “Magnum” gave birth to the “Five W” theory and some of the “Magnum” Very glorious passage,