草庐自古以来就与中国古代的诗人紧紧相连并成为诗人们情感表达的重要意象,诗人笔下的草庐是一种文化象征,既表现了对草庐的赞美,又表达了对君子特殊品格的高扬。“斯是陋室,惟吾德馨”(刘禹锡《陋室铭》),就是典型的对草庐和君子品格的双重赞美。“草庐不枉达官车,长日惟消满书架。”(明·刘基《次韵和王文明绝句》),诗人用草庐直接表明自己的住处,并暗喻着草庐文化对人产生的影响。陶渊明笔下的草庐是一种文化符号,表达出浓浓的思想意蕴。陶渊明的草庐充满着悠闲、恬适,又不失悲凉伤感,因而他笔下的草庐是其自我情感的抒发和人生侧面的写照及社会现实的反映。 Caolu has been closely connected with ancient Chinese poets since ancient times and has become an important image expressed by poets. The poet’s Caolu is a symbol of culture. It not only shows the praise of Caolu but also shows the special character of gentlemen High-rise. “Sri Lanka is a shabby room, but I De Xin ” (Liu Yuxi “shabby room Ming”), is a typical double praised for the character of the Cottage and the gentleman. “(Ming Liu Ji” sub-rhyme and Wang Wenming quatrains "), the poet used to directly indicate their residence Caolu, and implied that the Caulu culture of people The impact of. The Cao Lu written by Tao Yuanming is a kind of cultural symbol, expressing a deep thought implication. TaoYuanMing CaoLu is full of leisurely, comfortable, without losing the sense of sadness and sorrow, so his works CaoLu is the expression of his own emotions and life side of the portrayal and social reality reflection.