娜拉是易卜生社会问题剧《玩偶之家》中的一个主人公。该剧是一部极其卓越的妇女解放运动的宣传教育剧,也是女权主义的宣言书。上世纪初,娜拉的离家出走,鼓舞了我国大批“五四”知识女青年,她们逃离家庭的种种束缚,把握自己的命运,走向社会。然而,娜拉出走之后,她会怎样?这个问题很难回答,没有一个人能掌握她将来的命运,以至于易卜生戛然而止,只写到她的出走。自从1879年易卜生的社会问题剧《玩偶之家》问世后,历史的车轮已经驶过了130多年,虽然娜拉的故事在“80后”、“90后”中少有所闻,然而妇女解放的理想在神州大地 Nora is a protagonist of Ibsen’s social drama Doll’s House. The play is an extremely outstanding women’s liberation propaganda drama, but also a declaration of feminism. At the beginning of the last century, Nora’s departure from home encouraged a large number of “young women of the May Fourth” intellectuals in our country to escape various shackles of their families and seize their own destiny and march toward the society. However, what would happen to Nora when she left? The question was difficult to answer. No one could grasp her future destiny, and Ibsen stopped short and only wrote about her departure. The history of the wheel has been around for more than 130 years since the advent of Ibsen’s social drama The Doll’s House in 1879, though Nora’s story is rare in the post 80s and post 90s I heard, however, the ideal of women’s liberation is in vast territory