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晚明杰出思想家、文学家李贽在《童心说》中提出:“性情自然说”的哲学思想。据此他在多篇作品中表述其对音乐的本质与创作及音乐的审美等多方面的音乐认识论。他在《琴赋》、《读律肤说》、《杂说》等诸篇散文中的音乐理论多是对儒学以《乐记》为代表的我国古代音乐理论的悖论中最重要的理论之一。李贽的哲学思想指导下的音乐认识论对我国古代音乐理论的创新和发展做出了重要贡献。
Li Ming, an outstanding thinker and writer in the late Ming, proposed in his book “Childlike Innocence” that the philosophical thinking of “nature is nature”. Based on this, he expounds his music epistemology in many works about the essence and creation of music and the aesthetic of music. Most of the musical theories in his essays such as “Qin Fu”, “Reading Theory of Skin and Skin” and “Miscellaneous Commentary” are mostly the most important theories in the paradox of ancient Chinese music theory represented by Confucianism one. The music epistemology under the guidance of Li Kui’s philosophical thinking has made important contributions to the innovation and development of ancient Chinese music theory.