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本篇论文主要从流行音乐的角度,并以中国歌手张惠妹举例,基于传统的女性主义音乐批评研究并全面吸收当代全新的理论成果,从文本分析、符号学和女性日常生活批判等文化哲学视域下的进步观点分析她相关作品及她个人成长文化背景,证明中国流行音乐界的女性主义思想由她作为代表并且逐渐发展成一支不可忽视的力量。
Based on the criticism of traditional feminist music criticism and the full absorption of new theoretical achievements in contemporary era, this dissertation mainly focuses on pop music and Chinese artist Zhang Hui-mei. From the perspective of cultural philosophy such as text analysis, semiotics and criticism of daily life of women, The article also analyzes her related works and her cultural background of personal growth, and proves that feminism in Chinese pop music industry is represented by her and gradually developed into a force that can not be ignored.