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两汉时期,中国铜镜的制作和使用达到了第一个发展高峰。柿蒂纹图像作为装饰性纹样大量出现在铜镜上,其与汉代特定的社会文化背景密切相关。文章通过对汉代铜镜柿蒂纹图像特征、发展演变规律的梳理,以及柿蒂纹与神话题材、指示象征图像、吉祥铭文等图像组合的分析,具体从图像意义、社会背景等方面解读柿蒂纹中蕴含的汉代人的宇宙观念、天国仙境等精神世界。
During the Han Dynasty, the production and use of bronze mirrors in China reached its first peak of development. The images of the stigmatids appeared in bronze mirrors as ornamental patterns, which are closely related to the specific socio-cultural background of the Han Dynasty. Through the analysis of the image features, development and evolution of the bronchoscoposia image in the Han Dynasty, and the combination of the images of the stigma and mythology, the symbolic images and the auspicious inscriptions, the paper analyzes the image composition, the social background, Embodied in the Han Dynasty’s universe concept of the universe, heavenland fairyland and other spiritual world.