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新世纪到以来,中国的文化艺术正在发生着深刻的变化,越来越多的人开始关注戏剧,特别是在校园里,许多学业有成的教师、思想新锐的学子,纷纷到戏剧这块丰厚的艺术沃土中耕耘。从某种角度来看,他们的涉猎更广泛,资料更翔实,方法更多样,思想更敏锐。因此,我刊特辟“校园戏剧理论之窗”栏目,刊发来自校园的戏剧理论精萃,同时,我们也想借此栏目将戏剧的热点更多地推进到校园里,通过交流和学习,共同促进戏剧的发展。
Since the beginning of the new century, China’s culture and the arts are undergoing profound changes. More and more people are beginning to pay attention to the drama. Especially on the campus, many accomplished teachers and cutting-edge students have gone to the richness of drama The fertile ground in the fertile soil. From a certain point of view, they are more extensively covered, information is more informative, methods are more diverse, and ideas are more acute. Therefore, I publish the column of “The Theory of Campus Theater Theory” and publish the essence of theatrical theory from the campus. At the same time, we also want to use this section to push the drama hot spots more on campus. Through exchange and study, Together to promote the development of drama.